I'm a humble chef, however, I'll try to properly formulate my thoughts around the film, because it's very dear to my heart.
If a male with a revolver gets journey train from the prologue of Sergio Leone's film, then he or she must have something to say. The silent wanderer keeps a bitter story deep within his heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in their eyes you will notice the craze which includes accumulated across the years. He's not who he seems. The wanderer's name is Douglas Mortimer, an early military man and already a bounty hunter. If viewers with the film listen for the words of a flabby old man chained to a bed (a funny grandpa appears closer to your center of the film), they'll learn the fact that trains, these damned and noisy objects, are at fault for everything. Alas, but earthly hardships usually are not confined to trains and Douglas Mortimer is well aware of this, his problem involves bones, flesh and blood. The type, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but besides revenge is at the heart on the plot of Sergio Leone's brainchild, because beyond the retired colonel, there's another hero from the film. Fast, accurate, discreet, another bounty hunter. A minimum of curious, but at most wildly interesting, specifically when the “one-armed” shooter is played by Bruce Lee in the world of Westerns - Clint Eastwood. It's easy to reckon that the paths of Mortimer as well as nameless shooter will cross on the planet from the wild west. The spaghetti is definitely while in the pot.
In A Few Dollars More, phrases like “in ten minutes you'll be smoking in hell” or “you require a new sheriff” are inevitable. The hero of Clint Eastwood is shown like a shooter whose abilities will be relevant in the sci-fi novel, but the only thing that is claimed should not be attributed to your disadvantages of the narrative. Even the most absurd moments from the Western genre and beneath the skillful direction of Sergio Leone become salt for spaghetti, and the storyplot in the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers with the screens, which are in all probability visited by such thoughts: ¬¬ “I'm wondering what may occur further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “A few bucks more” - shootings, chases, music of time, personifying the approaching of death, here satire, in conjunction with foolishness, lives next to each other with drama and ironically interpreted religious motives. And, finally, the story plot shown by Sergio Leone will be the archetype of assorted paintings, where partnerships flow into friendship, though into a sort of friendship, in this particular friendship an associate can shoot a friend within the neck to ensure he is not killed because of the thugs of the ultimate boss. The hearth is burning under the pan. The spaghetti starts to boil.
Sergio Leone's tape is a real classic of your genre, and that is clear to see by the noise of bullets fired by way of the heroes, bank robberies and the long glances that two shooters exchange prior to the decisive shot, that shot that decides human destiny. The creators but not only draw attention to their creation (and they generally do it well), but touch on burning topics using some installments of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Additionally, it can be above interesting to view a number of Clint Eastwood and Lee Van Cleef - the heroes of the previous and new generation of westerns who, when i was in the pictures of Manco (One-armed) and Colonel Mortimer, now trying to prove something to each other, competing in the possessing a revolver and doing of sieve hats. Hmm, something's heating up in the kitchen, phew, you should serve spaghetti on the table. Winnie, your attendees are waiting, hurry up, they're hungry and have come to taste Leone's signature spaghetti. It is hard for an expressive chef to find a good helper these days. Spaghetti is served, but wait a minute, dear guests.
Undoubtedly, Sergio Leone in his “A Few Dollars More” demonstrates to everything about cinema the lion's share of his talent and professionalism, and the picture itself can be considered hypertrophied dominating before the initial film in the trilogy, which attracted the eye of the expressive Akira Kurosawa. Decades later, Leone's brainchild tries to please many people, along with the film succeeds: those viewers who wish a dramatic story understand it, people who love shooting and duels are satisfied, and connoisseurs of satirical humor will likely be satisfied after watching. As for the music, you are able to speak briefly - Ennio Morricone. Dear listeners, perhaps I am too excited, that makes my thoughts a bit confused, but should you watch an awesome film of my fellow countryman at least once, you will be convinced from the correctness of my words. However, I cannot hide my bias, I actually love the stories concerning the shooters in the wild west, where there are 2 totally different bounty hunters chasing the same victim, however, not the identical motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!
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